Manjunath Pendakur.  Canadian dreams and American control.  Detroit: Wayne State University Press, 1990.

Chapter 1. Roots of Dependency, 1906-1930

  1. Describe the early attempts at film exhibition and give reasons for moving from a system of exhibition to distribution?
  2. Describe the films made in Canada during the early part of the Twentieth Century.  Why did Canada not have a strong film production industry during this period?
  3. Name some early Canadian actors and describe their contribution to the Hollywood film industry.
  4. Why were the Allen's unsuccessful as film distributors?
  5. What led to the success of Famous Players?
  6. Why were  independents largely unsuccessful as distributors?
  7. What is meant by "block and blind booking" and how was it applied in film distribution in Canada?
  8. If you had been in a position to do something to shape the Canadian film industry during these early years, what would you have done?
Chapter 2. Dependency Deepened, 1920-1940: The American Film Industry Cartel
  1. Describe the purpose of the Cooper organization and its relationship to the Hays organization. How successful was it in achieving its purpose?
  2. What was the purpose of the British Cinematograph Film Act of 1927 and how did it help the British film industry?
  3. What was the aim of proposed screen quota legislation?  How did the Cooper organization respond to these bills?
  4. Who established the film boards of trade and what was their purpose?
  5. Why was the Combines suit against Famous Players unsuccessful?